In the Heights: You Need to Stay for Post-Credits Scene

Put up-credits scenes have change into a dime a dozen within the final decade. Beforehand an effective way for filmmakers to present a wink and a nudge to probably the most devoted audiences who caught round to see all of the names scroll by, they’ve now change into makeshift trailers within the twenty first century—commercials for some future film supposed to make you overlook about what you simply watched. In the Heights, although? Right here’s a film musical that does post-credits proper.

Sure, Jon M. Chu’s huge display screen adaptation of the Lin-Manuel Miranda musical has a post-credits scene, and it’s an totally pleasant one. With out spoiling something (but), it acts as a becoming exclamation mark to the movie’s overarching love letter for Washington Heights, and as a nudge-nudge for audiences who simply can’t get sufficient of the multi-hyphenated expertise that’s Miranda. Followers of each the Within the Heights stage present and Hamilton will probably be significantly gratified.

So if you happen to simply wished to know whether or not you need to stick it out for your complete finish credit, nicely you’ve been tipped off. Nonetheless, if you wish to know what the post-credit scene is, then preserve scrolling, pricey reader.

From this level on, this text comprises Within the Heights spoilers.

Lengthy earlier than Hamilton, Within the Heights was Lin-Manuel Miranda’s calling card. It’s the musical which carried him to a number of Tony Awards and his first brush with the Pulitzer Prize as a 2009 finalist for Drama. In different phrases, it’s had its followers within the theatrical neighborhood for some time, and I’m certain each one in every of them observed all of the modifications made by Chu and firm for the massive Hollywood model of the musical. Abuela Claudia’s huge solo was moved later within the narrative (and her demise earlier); “The Membership” was truncated; and “Siempre” was outright lower.

But I think about what hit hardcore followers the toughest is there gave the impression to be no reprise of “Piragua,” the bemusing melody sung by a hard-working push cart man performed by Miranda within the movie. Severely, the man who wrote the music (and truthfully the movie’s largest star) will get one in every of his two songs lower? However wait!

When you keep all the best way till the tip credit, “Piragua (Reprise)” will get its due. After our major hero Usnavi (performed by Anthony Ramos) makes his choice to remain in Washington Heights, the soul of the neighborhood is highlighted by the truth that the man trucking Caribbean-inspired frozen treats wins out over the tasteless ice cream truck transferring in on his enterprise.

Miranda’s Piragua Man croons:

“It’s hotter than the islands are at the moment,

And Mr. Softy’s truck has damaged down!

And right here come all his prospects my manner,

I advised you I run this city!”

– Piragua Man

Lastly, the Piragua Man catches a break and ends by mountaineering up the costs of his fruit-flavored desserts whereas the Mr. Softy worker can solely helplessly sit again and watch. And Hamilton followers ought to be particularly amused for the reason that ice cream truck man is performed by… Christopher Jackson! Yep, which means you possibly can lastly see Gen. George Washington wanting up at his former secretary with envy.

This makes the post-credits scene a mini-Hamilton reunion, particularly while you understand Ramos performed John Laurens and Philip Hamilton within the authentic Hamilton solid. In fact, Jackson’s cameo has additional meta-textual worth since Jackson was additionally within the authentic Broadway solid for Within the Heights. It’s the place he and Miranda started their lifelong friendship, with Jackson initially enjoying Benny reverse Miranda’s Usnavi.

It’s a cameo Jackson teased to Den of Geek final 12 months when he stated in regards to the Within the Heights film, “I could have been on set, I could have performed a bit cameo, presumably.”

And for that to be the ending notice of the movie—the place the humor can stand by itself as an alternative of deflating the narrative momentum of a two-plus hour film—is a reasonably pitch excellent sign-off. Piragua, certainly.

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